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Fuzz
Devi Ever Hyperion
Devi Ever Hyperion
The Devi Ever Hyperion is a wonderful silicon fuzz unit that ranges from muffy goodness to outrageous zipperhead mayhem. If you're looking for versatile fuzz with tons of gain and sustain, the Devi Ever Hyperion is for you.
Freekish Blues Coily Fuzz
Based on the classic 1968 Dallas Arbiter Fuzz with a twist. This Fuzz has a unique voicing that makes it stand out. Very touch responsive and responds well to single coils or humbucking guitars.
Features:
- True Bypass
- Volume and Tone Controls
- Versatile touch sensitive fuzz
Wattson Classic Electronics Fuzz
Capturing the precise tone of the original classic fuzz pedals from Shin-ei and Univox was our primary goal in designing the Wattson Classic Fuzz. We spent a lot of time analyzing signals from original Shin-ei and Univox pedals, and it paid off in the end - in spades!
We don't think you'll find any pedal anywhere that captures the tone of those classics better than the Wattson Classic Fuzz, and we're certain you won't find another one that captures the style and beauty of the originals as well as this one.
But we didn't stop there.
Blackout Effectors Musket Fuzz
The Blackout Effectors Musket Fuzz Pedal is based on a timeless circuit with added control. Go from vintage flubby fuzz love to modern raging distortion with the Blackout Effectors Musket Fuzz Pedal.
Electro Harmonix Big Muff Pi vs Rams Head current version & vintage effects pedal shootout
Electro Harmonix Big Muff Pi vs Rams Head current version & vintage effects pedal shootout
www.ehx.com Please help me petition Mike Mathews, the wizard from Electro-Harmonix, to bring back the Ram Head Big Muff Pi to the masses...there's a ton of clones out there, but EHX should be raking the cake for it...anyhoo...this was a fun demo to do...got my hands on an old BMP, and bought a brand new one at the same time, both from http (check em out!), and plugged them in, not thinking there would be such a difference...
Wattson Classic Electronics Fuzz
Wattson Classic Electronics Fuzz
The Wattson Classic Electronics Fuzz nails the legendary Univox Super-Fuzz pedals produced in the sixties and seventies. If you dig old-school, thick octave fuzz tones the Wattson Fuzz will satisfy.
MJM Guitar FX London Fuzz
The London Fuzz produces a fat, smooth fuzz, dynamic in nature
with the ability to clean up with the volume knob of one's guitar is lowered allowing for different shades of distortion. The LF uses two vintage germanium transistors which are hand matched for the best possible tone and performance along with other period correct components for a truly authentic sound... This pedal is an excellent choice for the early Hendrix sound, with humbuckers great for Cream era Clapton
MJM Guitar FX Brit Bender Germanium Fuzz Pedal
This pedal is a must for players seeking the late sixties British rock sound. Using three hand selected germaniums, this pedal has a long compressed sustain to it with an edgy voicing great for solo work.
Especially sweet sounding with humbuckers or dark sounding pick
up's, though works great as well with single coil pickups.
Death By Audio Fuzz War
The latest Death By Audio pedal has all the corners cut on the graphix but not on the components and sound. This gives you a high-tech fuzz mutilator at an affordable price. Two knobs on the outside control LEVEL and SHAPE and there is an internal DRIVE control to create a multitude of ultimate fuzz sounds. Listen for youself and you will see, this is the thickest sounding fuzz yet.
Has an internal trim pot to tweak the fuzz level. There are many types of fuzz tones available simply by adjusting the Shape control and your guitar volume.
ZVex Fuzz Factory Fuzz Pedal
This is a five-knob fuzz using two new old-stock sixties germanium transistors. The circuit is not modeled after any classic fuzz design, but should have been around when Leary was still lucid.
Although the five knobs are named for the parameters over which they seem to have the most control, please don't hold me to it. They are controls for various operating levels and biases, and basically shape you a personalized fuzz.
VOLUME:
Output level.
GATE: