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Guitar Amplifiers
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Bugera 6260 Guitar Amplifier Head 120 Watts
The Bugera 6260 is the go-to guitar amp head for classic rock, alternative rock and metal bands due to its raw tone, massive power and road-worthy reliability. Whether you want punchy defined rhythm chords, sultry smooth classic rock lead tones or a huge wall of mind-blowing distortion, the 6260 provides extensive tone shaping abilities with virtually unlimited dynamics in a two channel configuration.
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Brown Note D'Lite 44
D'Lite™ "44" 44 Watts of 6L6 Power. More Power & More Headroom.
Inspired by elusive tone characterized as fat and smooth with a nice bite to the top and tight thick lower mids and bottom .
The D'Lite44 delivers a wide palette of available tones, from warm round cleans, to shimmering crystal cleans. Aggressive power stage breakup, to smooth saturated medium/high-gain overdrive, and all degrees in between.
Channel switching of the OverDrive section is achieved by a rear panel mounted switch as well as by included standard 1/4" stereo cable foot-switch.
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Brown Note D'Lite 22
'Lite™ "22/33" ODE™- Convertible between 22 Watts of 6V6 Power OR 33 Watts of 6L6 Power.
Inspired by elusive tone characterized as fat and smooth with a nice bite to the top and tight thick lower mids and bottom .
The D'Lite22/33 delivers a wide palette of available tones, from warm round cleans, to shimmering crystal cleans. Aggressive power stage breakup, to smooth saturated medium/high-gain overdrive, and all degrees in between.
Channel switching of the OverDrive section is achieved by a rear panel mounted switch as well as by included standard 1/4" stereo cable foot-switch.
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Two Rock Custom Reverb Signature V1
The Custom Reverb Signature is the culmination of everything Bill & Joe have learned since day one. It has a lot of the same features from their early days building amplifiers. The CR Sig has a very refined lead channel that has been tweaked to perfection. Originating in the K&M Custom, this circuit is the most open, least compressed and most articulate and revealing. The Signature also features a dual mode power supply which allows for either 35 watt or 50 watt operation.
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Custom By Cougar
One of the first Dumble Inspired Amp builders in the world!
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Fender Super Champ XD Guitar Combo Amp
The Super Champ® guitar amp of the early 1980s was an up-to-the-minute take on the venerable Fender Champ amplifier. It contained a powerful 10" speaker—large for a Champ—its all-tube overdrive capabilities were further enhanced by the inclusion of genuine Fender reverb.
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Mesa Boogie Mark Five Guitar Amplifier
IT TOOK 40 YEARS of Randall Smith’s experience designing high-performance tube amps to get this much TONE under one roof and keep it easy to dial. More than a collection of amplifiers, the MARK FIVE™ is a living history of MESA’s® contributions and a tribute to the evolution of electric guitar tone.
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Marshall Vintage Modern, 2466, 2266, 2266C
The ‘Vintage Modern Series’ comes in three models; - 2466 - 100W head; 2266 - 50W head and
2266C - 50W 2 x 12 combo. The accompanying 4 x 12 cabinets are the 425A and 425B, each rated for
100 Watts power handling.
This amplifier has a single channel with the capability of switching between two dynamic ranges, either by
front panel push button or supplied footswitch. Each dynamic range yields its own gain structure and sonic
character. It is optimised to react to your touch and always retains a substantial tonality wherever you may set -
Trainwreck Amps
Ken Fischer's Trainwreck Circuits produced three basic models: The Express, The Liverpool, and The Rocket. He tended to vary the design for each amp depending on how it sounded. It's possible that no two Trainwreck amplifiers actually have the exact same circuit. Though all three basic models had three preamp tubes, usually 12AX7's, Ken would use different kinds of preamp tubes in his amp designs when he felt it would improve the amp he was working on. He sold Express amplifiers with two EL34's or two 6V6's for output tubes.
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Peavey JSX
Peavey and Joe Satriani set out to create an amplifier that would give the widest range of EQ options and gain structures possible. This amp delivers sounds ranging from the Classic® 50 to vintage British to the modern Triple XXX® and all tones inbetween.The versatile and comprehensive control section supplies a master volume pot and independent volume knobs for each of the 3 channels (Ultra, Crunch and Clean). Tone shaping is accomplished through passive controls for Bass, Mid and Treble on the Clean channel, while the Ultra and Crunch channels utilize active low, mid and high controls.
